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Rainforest Residence

Choo Gim Wah Architect
2026
PAM Award - Gold
Single Residential

Project Description

Designed for an artist family, The Rainforest Residence conceived as a concrete canvas in the forest, operating as a living gallery where architecture frames the rainforest and sheltering an evolving collection of arts. Rooted yet seemingly suspended along the hillside of Janda Baik, the monolithic form unfolds through open-air circulation and transitional spaces that invite light, air, and movement into daily life. The off-form concrete exceeds its Brutalist lineage, turning both protective shell and curatorial surface. A Pantheon-inspired oculus, restrained windowless facades, and shaded verandas choreograph light and shadow, allowing art, dwelling, and nature to coexist in quiet harmony.

The Rainforest Residence addresses the building sensitively on a gentle forested slope for an artist-client family, integrating with gallery spaces. The response to topography and tree preservation informs an elongated plan that minimizes site disruption while retaining most mature trees and promotes cross ventilation. Circulation is externalized through terraces and open corridors, integrating movement with the landscape as the architecture extends across the terrain, allowing spaces to engage intimately with views, light, and natural ventilation. A restrained material palette foreground nature, employing off-form concrete a Brutalist shell that serves both as thermal mass and a curatorial display, complemented by timber, brick, steel, and glass that visually recede into the forest. Openings and transitions integrate nature into daily life, from fleeting light display on concrete to an oculus framing the shifting skylight. Ultimately, the residence operates as a resilient and adaptable framework, mediating between art, habitation, and the surrounding nature.

Citation

The building is situated on a hilly site that is surrounded by nature. It has been designed to carefully respond to the existing topography, minimizing the need for earthworks and preserving most of the existing trees. Any trees that needed to be removed were repurposed as materials for formwork, reinforcing the project's sustainable approach and its connection to the natural environment.

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